Daredevil #8 (2012)


Comic book, 2012

So I’ve been buying only the Paulo Rivera issues of this series. I picked this one up, opened it, and… you know that jolt you get when you take a sip of something, and it’s not the thing you thought it was? That confusing disorientation? That’s what happened here. This issue’s surprise (to me) guest artist’s work looks just enough like Rivera’s to extend that disorientation into “I thought I was drinking milk?” territory. This guy’s pretty good sometimes, makes some baffling choices others, so whatever. The issue’s even poorer for it’s content: it’s part two of a Spider-Man crossover, and is the kind of superhero comic that’s made for people who like modern superhero comics. The type where you get the impression that the writer plotted the book out by smashing action figures together in his hands. The kind where we’re supposed to be so dazzled by the sight of superheroes jumping around that we don’t notice that the actual story is so, so boring. Then, just when everything’s sailed well into the territory of mediocrity, it commits the cardinal sin of superhero comics. You know that Sarah Mclachlan ASPCA commercial everyone hates? She should make another one, pleading people not to write their superheroes having sex.

Side note: I don’t care about Spider-Man, but Paulo Rivera beats the fuck out of everyone at drawing Spider-Man’s eyes. It looks great and is super distinctive. It’s how everyone should be drawing those things, but they can’t because they’d be ripping him off. C’est magnifique!

One Comment on “Daredevil #8 (2012)”

  1. […] to making superhero sex look like not the most embarrassing thing in the world, a step up from last issue‘s artist’s work in that arena. I don’t totally buy the characterization of […]

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